This week, I am visiting Lake Clifton, south of Perth and in the vicinity of Mandurah, reportedly the fasted growing city in Australia. Lake Clifton is also contains a roughly 6km long colony of thromobilites, a form of microbialite or growing rock-formations. Microbialites are the oldest known fossils, dating back to 3.5 billion years or so. They are made by cyanobacteria, the ancient life form that generated the oxygen atmosphere upon which life as we know it today depends. The Lake Clifton thrombolites are not this old, but they are the only known living examples, although their current status (ie living/dead) is apparently a debated point.I am visiting the site as part of the research we are doing with SymbioticA, who are doing a large project exploring the thrombolites and other linked environmental issues of the area. We will be discussing approaches to siting a speculative architectural future in this region.
So what the hell's going on in the Eastern States of Australia in the last month? Massive floods in the north, drought and unprecedented fire storms in the south, and now earthquakes in Victoria and a cyclone brewing in Queensland. Climate change is what they call it. All this in the midst of the global financial crisis and, in the past days, the numbers showing that Australia is now in recession. Everything seems to be extreme and on the move: an all pervasive climate of change.Remember the opening line of the web film EPIC 2015? "It is the best of times, it is the worst of times". With the help of google, i now know this refers to a quote from Charles Dickens, which you can read here. The reason I looked this up was that Philip Adams also refers to it in his column in the today's weekend Australian magazine. His article is more-or-less a call for wary optimism: that in this time of doom, gloom and radical upheaval, we can still be optimistic about the future, but we should not simply expect the best to happen, but attempt to actively make it happen (well, he says we should "demand" it, but i think we need to be a little more creative than just making demands). It turns out that Adams is a little cynical of the following, but this is what caught my eye: "The worst of times? No, these are the best of times, an opportunity for unprecedented creativity. For ideas and innovations in economics, in politics, in environmental strategies." While we should be wary of either blind optimism or gloomy doomsayers, constructing future scenarios that enter into a energetic, engaged enthusiasm about possibilities seems vitally important in this climate of change.
If the evolution of species is a clear case of emergence, this article would seem to point to a case of emergent devolution, where the demise of a species (honeybees) is arising without any simple cause being attributable. new scientist article
For many, architects largely offer frameworks for boutique living and institutional arrangements. Ushering in formal expressions of individual luxury and collective organisation, they are servants of power.This is a caricature. The role of architecture and architects is, can, and should be far more active, experimental and ethically inclined in it's contribution than such a caricature suggests. The dimensions of life with which architecture works are many and complex, and the relationships between them are tricky. Formal arrangements affect what we can do and how we can function, how we feel in psychological and physiological ways, and how we understand our relationships with others and the world, or environment, in general. Amidst this vast and multi-dimensional terrain there is one tricky issue that particularly interests me: the role of formal arrangements in terms of comprehending change. Processes of change are always occurring, in radically variant degrees and kinds. For reasons I won't elaborate on right now, it takes longer for us to form a cognitive understanding of events than to grasp those events in a more 'sensed', felt or aesthetic way: we can feel and respond to a change far in advance of our capacity to 'think it through'. The act of designing can be a way of approaching and forming pre-cognitive understandings of what's happening. Design is an act of expression and an exposure, to others and to oneself, of the forms of organisation through which we feel-think our way through the world. We 'show' ourselves how we are 'wired' through the things we make, at the same time as we develop and change that 'wiring' of relations through negotiating this very act of showing. So, to return to the beginning of this post, the role of architects and their designs can be far more active in both comprehending, organising and generating change than the 'servant of power' caricature suggests.